I consider my 50 or so cherished mikes to be quite more than adequate for my purposes but I haven’t got the quantity and diversity that he does. “With virtual access to $250,000 of hand-picked, vintage microphones, Ocean Way’s microphone setups and Distance controls are the centerpiece of the plug-in. The setups capture the ideal microphone selections and placements for each room and source type - exactly as used to record some of the biggest acts of all time. Up to three vintage microphones pairs (Near, Mid, Far) are available in each setup, allowing for creative sonic blending. Click-and-drag the microphones to position them in the room, then EQ and filter their sound as desired - complete with mic bleed and proximity effects.
Re-Mic mode is by nature “fully wet,” and can be used to entirely replace your original room and microphone sounds with the fabled sound of Ocean Way.” Ocean Way Studios offers two modes of operation: Reverb mode, using send/return paths to mix wet and dry signals or Re-Mic mode, to fully immerse the original source audio within Ocean Way’s rooms. So not only can audio engineers emulate the sound of any room that want, they can also open up and utilize the “virtual” microphone closets of the best studios in the world. The productions norms of yesteryear are rapidly fading away. He learned electronics as a teenager from his HAM radio father while learning to play the guitar.ĪIX, has been producing and engineering music for over 40 years.
Mark received the first doctorate in music composition from UCLA in 1986 for a "binaural" electronic music composition.
Other advanced degrees include an MS in computer science, an MFA/MA in music, BM in music and a BA in art.Īs an engineer and producer, Mark has worked on projects for the Rolling Stones, 311, Tool, KISS, Blink 182, Blues Traveler, Britney Spears, the San Francisco Symphony, The Dover Quartet, Willie Nelson, Paul Williams, The Allman Brothers, Bad Company and many more.ĭr.
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